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• Supersuckers Bio: Download Word Doc | View Below
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• Mid-Fi Bio: Download Word Doc

THE GREATEST ROCK N' ROLL BAND IN THE WORLD

You’ve heard our name, you’ve seen our records, our t-shirts and our stickers. We’re probably the favorite band of someone you know and yet we’re still a mystery to you. Well my friend, that’s okay, I’m here to fill you in and help you to get to know the greatest rock-n-roll band in the world, The Supersuckers.

Our story is almost impossible to believe. This band is literally a human cartoon. We all grew up among the dead-ends and cactus needles of Tucson, Arizona and have known each other since grade school. We graduated from the same high school together at the same time (a school immortalized in our song “Santa Rita High”) and we chose to play in a band together because we liked to hang out together, not because we were great musicians or anything. I truly believe that a band is defined by their limitations, that what they can’t (or won’t) do is just as important as what they can do. I guess that, in this era of pre-fabricated, put-together-to-have-a-hit bands, we’re kind of an aberration and I gotta tell ya that that makes us smile a little every day.

We formed the band in 1988 and we were initially a five piece called The Black Supersuckers (a name found in some quality “adult literature” we had laying around in our impeccably clean band house), with me on bass, Dan “Thunder” Bolton and Rontrose Heathman on guitars, Dancing Eagle on drums and a lead singer by the name of Eric Martin. After firmly proving ourselves to be the best band in town we decided it was time to get out of Tucson and try our luck somewhere else. So we tossed a coin with heads as New Orleans and tails as Seattle. Tails it was and in May of ‘89 we packed up and went north.

We had no idea that Seattle was about to become “Rock Mecca USA” we just wanted to go somewhere where we could wear our leather jackets a little more often. It was exciting and encouraging to see all of the great bands there, doing their own thing and making some kick-ass, aggressive rock-n-roll that we could relate to, so we started recording immediately. After some classic “creative differences” with our lead singer, we decided to try it as a four piece with yours truly as the singer (I was the only one who knew all the words) and The Supersuckers, as you may or may not know them today, were born.

Our first recordings as a four-piece wound up on various singles for small labels and then were compiled for a C.D. called The Songs All Sound The Same. (For the full story on these recordings I highly recommend picking up the re-issued version on our own label, Mid-Fi Recordings). But it was our live shows that caught the eyes of the good people at Sub-Pop Records and, after a particularly scorching show one night, they offered to put out our records. We said, “Buy us some beer and you got a deal!” And our long and enduring rock-n-roll ride was officially under way.

Starting with 1992,s “The Smoke Of Hell”, we released a total of three rock records for Sub-Pop as well as a country record (Must’ve Been High), split singles with Steve Earle and The Rev. Horton Heat, countless singles and a “best-of” double album. Then we ventured out into the muddy and troubled waters of the major labels where we were signed and dropped by Interscope Records before finally (crash) landing at Koch who (barely) put out another Supersuckers masterpiece, “The Evil Powers Of Rock-n-Roll” in late 1999. We’ve always toured our asses off all over the world and that has never stopped. We hit the road with bands like Mudhoney, Social Distortion, Bad Religion, The Ramones, Motorhead, The Toadies, The Butthole Surfers, The Reverend Horton Heat, The Dwarves, White Zombie and Pearl Jam. We’ve played a few Farm Aid shows and backed Willie Nelson on The Tonight Show. Our music has appeared in T.V. shows (Beverly Hills 90210, Viva La Bam, Simple Life, Road Rules Challenge, Real World, all that crap), Movies (Baseketball, Hype) and commercials (Mountain Dew) as well as countless snow and skateboarding video compilations.

Throughout this entire time, our sole mission has been to create and perform timeless, quality music and get as many people as possible to hear it. That goal has never changed. The pursuit of that perfectly imperfect rock-n-roll moment is all we’ve ever been after. We’ve been doing this for well over a decade now and we’re just getting started.

2001 found us starting our own label; Mid-Fi Recordings. We’ve finally decided to take control of all of our affairs and have become a lean, mean, self managed, totally independent rock-n-roll machine. We’ve got the greatest fans in the world and no one cares more about them and our music than we do. Having our own label gives us the freedom to make more of our music available to them without the hassles of “the middle-man” worrying about things like “marketing” or “demographics”. Hell, these are just hard words. All we want to do is get some kick-ass music out to the people and with Mid-Fi we have been able to do just that. Our first release was a live country record entitled “Must’ve Been Live”, that came out in March, 2002. Since then, we have dug into our “private reserves” and released several singles of some our finest outtake stock (a habit we intend to keep), and we’ve also managed to pull off a couple of “split” singles with fellow under-appreciated rockers, the Hangmen, Throwrag and Zeke.

In 2003 we unleashed the impeccably titled, Motherfuckers Be Trippin’, (April 22nd, 2003) on the world. It was the perfect follow up to The Evil Powers Of Rock N Roll, it spent a couple weeks on the Billboard Independent Charts and songs from it have been featured on MTV’s Real World and Viva La Bam shows as well as countless ski and snowboard videos. We even managed to work a single (Rock N Records Ain’t Selling this Year) to radio where it was #1 on the RnR Specialty Charts for 4 weeks in a row (whatever that is). We have since been able to keep the releases coming at a rate that could never be achieved with any other label. In addition to MFBT, we've released my first solo album, The Sauce, as well as a second version titled Extra Sauce which features the incredible Mickey Raphael from Willie Nelson’s band playing harmonica all over it and my second solo record, Old No. 2 in October of 2005. We've also established the Mid-Fi Field Recordings series which has seen the release of three live Supersuckers records and one live DVD and will hopefully be the vehicle for our first release by an artist other than the Supersuckers. (Perpetually on the menu is Mid-Fi Field Recordings, Vol.? which will feature one of the last performances by the criminally under-appreciated Zen Guerrilla on New Years Eve 2002. I dare say this is perhaps the greatest live recording of all time! In the works is a remix version of Old No. 2, which will blow some minds for sure!

All this leads us to the new Supersuckers E.P., “Paid” which is by far the best thing we’ve ever recorded. We’re releasing it as an E.P. so that we can keep the music coming in steady bursts. We’re tired of seeing these artists release full length albums with two good songs on ‘em and we want to be the trendsetters (once again) and show everyone a new way to get the good stuff to the peoples! We’ll be cranking out a few of these E.P.s and, if we have to, then we’ll slap together a full length from ‘em with a few new ones thrown in as well. That’s the way they did it in the Fifties and Sixties and I think that, with the way people are buying their music these days, it’s the way to go again. We’ll see.

Another nice tidbit is the recent addition on Scott Churilla as the newest member of the Supersuckers family. You may or may not be aware that, since the 2004 departure of our original drummer, we’ve had a rotating cast of characters behind the drums for us. It was all very “Spinal Tap” and fun for a while but we’re so happy to have it all behind us and be able to call ourselves a first class, four-piece rock and roll band once again. You may know Scott from his 10+ years as the drummer for The Reverend Horton Heat. He’s absolutely incredible and we are way better than ever with him back there.

WHEW! That’s a lot to take in and it barely scratches the surface of all that we’ve done and plan to do. So, the next time you see The Supersuckers name, whether it’s in the record store or on the marquee at your local nightclub, know that there’s some quality, honest, ass-kicking, hard working individuals in there, trying to make your life a little better through the “Evil Powers Of Rock-n-Roll” (and the occasional detour into the country of course) and we’d love nothing better than to have you there with us. Just remember to wear you clean underwear, because we’re gonna rock your pants right off of you.

Rawkously Yours,
Eddie Spaghetti.

Crowning achievements of rock-n-roll glory:

• Performed on “The Tonight Show with Jay Leno” backing Willie Nelson.
• Played Woodstock 2000
• Played Reading/Leeds festivals
• Toured extensively throughout the world including Russia, Japan, Australia, etc…
• Recorded with Eddie Vedder of Pearl Jam, Steve Earle, Willie Nelson, Kelley Deal of The Breeders.
• Toured with Pearl Jam, Ramones, Social Distortion, Rolling Stones, Aerosmith, Kelly Clarkson, 50 Cent, Neil Diamond, you name ‘em, we’ve toured with ‘em!
  

Testimonials on the Supersuckers:

“If you don’t like the Supersuckers, you don’t like Rock-N-Roll.” -Lemmy Kilmister from Motorhead

“They played my birthday party. They rock!” -Eddie Vedder from Pearl Jam

“Every time I hear the word ‘Supersucker,’ I’m reminded of an older gentleman who went into the strip bar and the hooker c’m dancing up to him and said ‘Superpussy!’ and he said ‘Soup, please.’” -Willie Nelson

“Supersuckers…I love the Supersuckers, our whole band loves you guys!” -Robin Zander from Cheap Trick

“The Supersuckers understand that great rock and great country are, at least on a spiritual level, exactly the same thing. Rock on, boys.” -Steve Earle

“The Supersuckers rock ferociously whenever they feel like it and what really matters is ending this sentence with an exclamation point!” -Little Steven Van Zandt, E Street Band, Little Steven’s Underground Garage

“Supersuckers... Everyone knows the Supersuckers” -Elijah Wood (SXSW 2008)

Eddie Spaghetti grew up in Tucson, Arizona trying desperately to ignore the country music that floated all around him. Seems like every pick-up truck and storefront speaker was cranking out the syrupy wails of some heartbroken hick and he just wasn't having it. So, as a kid, he turned to Heavy Metal, then Punk Rock, to block out the noise and that's how his band, The Supersuckers, was born.

Formed in late '88, The Supersuckers aim was to strip away some of the pretense of late '80's Heavy Metal and put a little showmanship into the Punk scene. It was a tightrope act few bands could achieve but, by the beginning of '89, not only had the band done it, they were ready to make a move away from the dirt roads, dead ends and dust of their hometown.

Heads was New Orleans, tails Seattle.

Tails.

And, in May of 1989, off they went.

Having no clue that Seattle was about to become "Rock City, U.S.A." for a few great years, Eddie and his grimy gang jumped blindly into a scene that had been thriving unrecognized for years. It didn't take long however for them to find Seattle to be the perfect place to "not fit in". "We didn't sound like the bulk of the Seattle bands and we never really felt the need to change, either," says Spaghetti from his hotel room somewhere on the road (the band does over 200 dates a year!), "It seemed like they needed a band like us. Sure, maybe we could've fared better financially if we'd tuned our guitars down and I tried to sing like Axl Merman but, check it out - how many bands from back then are still together, still making great, valid rock music? Very few, my friend, VERY few."

The Supersuckers put out a few singles, then signed to Sub-Pop and began what has been over a decade of ass kicking, ground pounding hemi-hogging punk-n-roll.

It didn't take too long, however, for the country music that he tried so hard to avoid in his youth to start surfacing in the music Eddie was making as a young man. The foray back to the country began in 1993 with the Supersuckers side project, The Junkyard Dogs and the rare, hard to find and out of print recording, "Good Livin' Platter" (Sympathy For The Record Industry). It wasn't county per-se, but it was close and the seed was planted.

In '95, while working on Sacrilicious in Austin, TX the band met and recorded with Willie Nelson and a friendship was born. The experience profoundly affected Spaghetti. "I had long stopped pretending to hate country music," says Spaghetti, "but hanging with Willie really got me thinking. Why put an age limit or a time limit on the validity of making music?. Why does this have to be a young man's game? It doesn't. Music is music, it's either good or it's bad and rock-n-roll is a very new art form. It's barely fifty years old! It's going to be a lot more common, as time goes on, to hear great rock from older guys. I got plenty of time!"

In 1997 Eddie was balls deep into country music again and what was initially planned as the first Eddie Spaghetti solo record became The Supersuckers now legendary recording, Must've Been High. "I had a bunch of these weird songs and I was just gonna do a little country record on the side but, after doing some demos down in Texas, I came back up to Seattle and there we were - The Supersuckers were making a country record! I had no idea what our fans would think and they did freak out at first. But now it's our best selling record. Ha!", says Spaghetti.

After the success of "Must've Been High" the band tried (and failed) to work their way up the corporate record label ladder. Spaghetti: "That was a confusing time and it really slowed us down. I felt like we were making some of our best rock ever," (true enough, 2000's "The Evil Powers Of Rock-N-Roll" (Koch) is widely considered one of the groups best records) "but the labels just kept jerkin' us around. I learned a lot about the business and about myself and what truly makes me happy about making music. And that happiness has nothing to do with what some fat-cat sitting behind a desk spending some young kid's hopes and dreams on a recoupable expense account thinks about my art"

Enter Mid-Fi Recordings. "This fella named Chris Neal came scouting us for RCA. But after talking to each other after the show we both realized that we wanted something else, something outside the system. No bosses! So now Chris is The Mid-Fi Guy and The Supersuckers are more successful than ever!"

Mid-Fi has enabled Eddie and the band to finally take matters into their own hands and get the music to the people. Starting with a live country record, Must've Been Live, Mid-Fi has been cranking out the product including (but not limited to) 2003's Motherfuckers Be Trippin' and Eddie's first solo record, The Sauce.

The Sauce was such a happy accident. There were a few days open at this studio here in town and I just grabbed them and knocked it out. I can't believe how happy I am with something that took so little time to create!" A stripped down acoustified collection of some of Eddie's favorite covers ("And two originals!") featuring Eddie on guitar, bass and vocals with Mike Murderburger on drums and few guests sprinkled in, The Sauce has become a fan favorite.

Now Eddie has returned with Old No. 2, his second solo record and by far his best effort to date. Still simple and basic, Old No. 2 sees the return of Murderburger and the addition of Mr. Jordan Shapiro (from Ray Price and Bob Dylan's touring bands) on "just about anything with strings". Old No. 2 showcases Spaghetti's original songs as well as his impeccable selection of covers spanning five decades (Bob Dylan, The Coasters, AC/DC, Tom Waits and Nick Lowe all sit nicely together on this record!). But it's Spaghetti's songs that steal the show. "All Along", "Some People Say", "I Don't Wanna Know" and "Here We Go" are some of his best, most confident works ever. It has a bigger, slightly more produced sound that can be largely attributed to the fact that "We spent a whole four days - instead of three - in the studio", claims Eddie.

"I don't look at these records as something born of 'creative frustrations' or whatever typical reasons singers do these things. I see them as extensions of the story of the Supersuckers. I am and always will be a Supersucker, no matter what I do with the rest of my life, you know? That said, this record is ridiculous. It's so good. I've never been more proud of anything I've ever done. Toot-toot! Is that my own horn I'm blowing? I guess it is. Well, somebody's gotta do it!"

Well said Mr Spaghetti.

Old No. 2 will be out October __ on Mid-Fi Recordings. Don't miss your chance to get in on the legend of Eddie Spaghetti and the Supersuckers.

Rawkously Yours,
Eddie Spaghetti.

Testimonials on Eddie Spaghetti:

“The Supersuckers make me want to fight and frug, but that damn Spaghetti makes me want to lilt and lager, I love that man, I wanna to steal all his pens. One guy talkin’ about rock…Bonafide!” -Tim Rogers from You Am I

“Eddie is replacing me in the world of harmonica.” -Mickey Raphael, harmonica player for Willie Nelson

Photos are in JPG format. Right-click and choose "Save Target As..."

Eddie Photo 1 300 dpi	Suckers Photo 1 72 dpi
Suckers Photo 2 72 dpi	Suckers Photo 3* 72 dpi
Suckers Photo 4* 300 dpi | 72 dpi	Suckers Photo 5* 72 dpi
Suckers Photo 6* 300 dpi | 72 dpi	Suckers Photo 7* 300 dpi | 72 dpi

*Press Photos by Stephanie Neal

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